Fashion
Direction & Art Direction: Ilse Leenders
D.O.P: Lonneke Worm
Editor: Wietse de Zwart – The Ambassadors
Assistants: Maaike de Boer, Vera van de Sandt, Nina Sondagh
Model: Anton – Tony Jones Model Management
Hair & Make Up: Dominique Roshanak
Costume Designer: Jeroen van Tuyl
Producer: Dijana Olcay-Hot – Revolver Media Productions
Assistant producer: Emile Steginga
Special Thanks: Jaap Hermans
visit the websites:
www.ilseleenders.com
www.jeroenvantuyl.com
JeroenvanTuyl_IlseLeenders
Art, Media
Peter Aerschmann, FROM A TO B, 2010, 12 min loop, 16:9, no sound DVD & HD Video, Ed. 5+1 AP, © Peter Aerschmann 2010
Video has long been considered yet another art medium to expand on painting, and has been described as ‘mark making with movement’. Today, having video as part of an art collection is common, however creating a comprehensive collection of video art and successfully integrating it’s viewing in to daily life still defies convention. I talk with dedicated collectors Carola Ertle Ketterer and Günther Ketterer who are based in Bern, Switzerland about their fifteen-year long video art collection and what it means to collect and exhibit video art long-term.
written by Claire Breukel
Read More »
Design

Piet Paris @ Unit C.M.A
visit the websites:
Piet Paris
Unit C.M.A
Art
Sunny Suits’ second solo exhibition is titled ‘Regular Lovers’. borrowing its name from a Philippe Garrel film. Like Garrel, Suits works from her own life and relationships, giving us starkly honest insights into her private world through the portrayal of friends and lovers.
written by Olivia Singer

The photographs individually offer us glimpses of respective figures in Suits’ life. As with the work of Garrel, Cassavetes, or even Fassbinder the same characters reoccur throughtout her work. Whilst her photograhs speak in conjunction with social realism through their honest presentations, perhaps the most intriguing aspect of the collection is how Suits herself manages to authen-tically capture this aesthetic. These are not candid photos, yet they betray the same intimacy as if they were. Even when the subjects look into the camera itself, it seems it is Suits they see rather than a lens; it is she they continually respond to rather than the camera.
Read More »